PDF Ebook Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence

PDF Ebook Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence

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Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence

PDF Ebook Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence

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Review

"This intelligent and cogently-constructed narrative is a significant addition to the growing literature on public commemoration over the past fifty years." (Jay Winter coeditor of War and Remembrance in the Twentieth Century)"Exhibiting Atrocity is an ambitious, significant study providing in-depth case studies of five memorial museums and how they attempt to narrate 'difficult history' and navigate the politics of memory. Accessible and wide-ranging, this interdisciplinary volume is an important, timely resource for students as well as specialists." (Joyce Apsel author of Introducing Peace Museums)“An original and unique study…Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence is an especially and unreservedly recommended addition to both community and academic library Human Rights and Cultural History collections [and] Museum Studies supplemental reading lists.”   (Midwest Book Review)"Sodaro examines how many communities, be they groups or countries, work through staggering events like 9/11 by building museums to parse through them." (SUM)"Exhibiting Atrocity sets a precedent that will allow researchers and visitors to recognize these museums for the political projects that they really are – neither good nor bad but always potentially very dangerous. The greatest danger inherent in the ways in which memorial museums exhibit atrocity is that they routinely fail to expose the fragility, vulnerability and precariousness of political systems and norms. This leaves us vulnerable to manipulation, demagoguery, and the authoritarian personalities lying in wait." (European Journal of Cultural and Political Socioloy)

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About the Author

AMY SODARO is an associate professor of sociology at the Borough of Manhattan Community College, The City University of New York. She is coeditor of Memory and the Future: Transnational Politics, Ethics and Culture.

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Product details

Paperback: 226 pages

Publisher: Rutgers University Press; None edition (January 23, 2018)

Language: English

ISBN-10: 0813592135

ISBN-13: 978-0813592138

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 10.9 ounces (View shipping rates and policies)

Average Customer Review:

2.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,364,618 in Books (See Top 100 in Books)

Amy Sodaro’s book Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence, focuses on the new techniques and forms of memorial museums. The book covers atrocities, human rights violation, and political violence memorial museums. By comparing the book to the articles readers can see the differences and similarities between the two. This book is important because it gives insight on how the new forms and techniques of memorial museums help connect heritage, culture, and society to the individual viewing the museums.Sodaro writes on how these emerging new form memorial museums are being developed to display societies past violence and human rights abuse. Sodaro displays this view with the statement “Granted the abominations of slavery, colonization, and other violent wars and practices that preceded the twentieth century were no less and often far more terrible, but it was the mobilization of new technologies and powerful ideologies that made the wars and genocides of the twentieth century particularly destructive and that helped make it in Hobsbawm’s words ’The most murderous’”. (Sodaro, p. 17-18). However, Sodaro does not mention the psychological explanation of human nature as a cause for many of the atrocities that have happened throughout the twentieth century. Although Sodaro does not consider psychology when dealing with the society that participated in genocide, she gives a brilliant argument for why these museums are important. Sodaro explains “Not only are they able to collect and display the physical remnants of the past, preserving it for posterity, but they can also tell the story of the past, imparting knowledge and understanding” (Sodaro, p. 23). The reasons are so that society may learn from the past and to prevent another genocide from happening. Overall, Sodaro’s belief that the world’s society cannot only remember the past to prevent future atrocities and genocides, but the world’s society should be taking an active role in preventing future atrocities and genocides.In contrast, throughout the book Sodaro claims that the world’s society cannot just remember the past and learn from it, but must actively try to prevent future atrocities. Sodaro writes “Violence, atrocity, and genocide continue to rage around the world, despite bust efforts at remembering. Thus, we need to understand not only what is behind this urgent need to remember but especially the limits of memory’s ability to aid in the prevention of violence, promotion of democracy, and promise of peace.” (Sodaro, p. 29). However, Sodaro fails to realize that there are cultures and beliefs out in the world that do not coincide with our own western beliefs that make us contemplate and reflect on the past and how to prevent the past from repeating. Sodaro also focuses to much of the book on current politics within the United States. Sodaro provides and example of this with “This is particularly worrying in the political and social climate in the United States at the time that this book is being written. Donald Trump rode a wave of xenophobia, racism, and sexism into power and is, with the support of a considerable portion of the population, creating exclusionary and discriminatory policies, such as his “immigration [Muslim] ban” of January 2017.” (Sodaro, p. 56). Instead of focusing on her own political beliefs Sodaro could have focused on how to critique memorial museums like the Holocaust museum to make them better. This tells the reader that she is more interested with professing her own political beliefs, and not interested on how memorial museums benefit not only western society but the world’s society as a whole. In contrast Laurajane smith provides her own political commentary that is constructive for museums. Smith writes this powerful insight “Heritage is thus a subjective political negotiation of identity, place, and memory, and it is something that is done rather than something we simply have or curate and protect. It is, as David Harvey (2001, 327) argues, a “verb.” There is no one defining action but rather a range of activities that include remembering, commemoration, communicating, and passing on knowledge and memories, as well as asserting and emotionally engaging with expressions of identity and the social and cultural values and meanings that underpin these expressions. It is a process that can have conservative or socially progressive outcomes but, above all, it is an experience or moment of active cultural engagement that has a range of consequences.” (Smith, p. 460). Smith uses her political thoughts in a positive way that allows the museums to adapt and learn from her insight. Never the less, Sodaro does tie in her argument of why memorial museums are important. Sodaro displays this sentiment with her statement “on the surface, these memorial museum initiatives appear to be highly innovative, ambitious, and effective way to come to terms with a difficult past, they represent what is most noble in our convictions: we can learn from past mistakes through engaged and open dialogue and education about the past and thus create a better present and future built upon empathy with our fellow human beings. They also represent an ambitious attempt to confront the past and to make amends and right historical injustice.” (Sodaro, p. 183). It is Sodaro’s hope, that with these new emerging techniques and forms on creating memorial museums, the world’s society has a far better chance of learning from the past to ensure that atrocities, genocides, and political violence end with a future generations. Similarly, Jay Rounds agre1es with museums effect on society. Rounds displays this agreement when he writes “Thus, there is always a deep ambivalence in our attitudes towards our own identities. Identity work includes both the ways that we strive to establish identity as part of something larger than ourselves—to meld ourselves into some form of structure offered by our socio-cultural environment – and the ways in which we assert agency and try to escape from the constraints of those same structures. It’s good to be somebody, but every now and then it’s even better to be somebody else. The museum offers opportunities both to confirm our existing identity, and to safely explore alternatives.” (Rounds, p.138). These new emerging memorial museum techniques will allow the world’s society to explore new alternatives in a safe environment when atrocities, genocide, and political violence no longer exist in the world.Ultimately Sodaro’s book Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence, is important because it gives insight on how to use the new forms and techniques of memorial museums to connect heritage, culture, and society to the world’s society. By covering atrocities, human rights violation, and political violence in memorial museums shows the reader what forms and techniques work for memorial museums. Comparing the book and articles differences and similarities helps the reader navigate museum techniques and writings that implement the best forms and techniques to use. By focusing on the new techniques and forms of memorial museums this book exposes why memorial museums are important.CitationSmith, Laurajane. "Theorizing museum and heritage visiting." The International Handbooks of Museum Studies (2015).Sodaro, Amy. Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence.Rutgers University Press, 2018.Rounds, Jay. "Doing identity work in museums." Curator: The Museum Journal 49, no. 2 (2006): 133-150.

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Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence PDF

Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence PDF

Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence PDF

Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence PDF