PDF Download Mrs. Caliban, by Rachel Ingalls

PDF Download Mrs. Caliban, by Rachel Ingalls

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Mrs. Caliban, by Rachel Ingalls

PDF Download Mrs. Caliban, by Rachel Ingalls

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Review

“A masterpiece and totally off the wall.” - Electric Literature“It's not just Disney that can ruminate on romance between a beauty and a beast. In this reissue of Rachel Ingalls' 1982 novel, housewife Dorothy hears on the radio that a potentially dangerous monster has just escaped a research facility. But when the creature walks through her door, he awakens something new in her. This is our pick for feminist social satire that's deliciously weird.” - Estelle Tang, Elle“Indeed, as a feminist piece with a deep romantic core, that might best explain Mrs. Caliban’s ability to emerge as an unlikely literary classic. There’s the sheer entertainment factor ― steamy Aquaman sex, anyone?―but then just underneath is a real depth, a quiet brilliance in its study of behavior and circumstance. It cuts through the noise, enlightening while also resonating, soothing in its dreamy surrealism. And isn’t that the perfect recipe for an enduring classic?” - David Canfield, EW“Thirty-five years old, it is fresher than most things written yesterday. I wish I could say that I have always known about it. Instead I confess to the zeal of a new convert. Every one of its 125 pages is perfect, original, and arresting. Clear a Saturday, please, and read it in a single sitting.” - Christine Smallwood, Harper's Magazine“Every volume Rachel Ingalls has written displays the craft of a quite remarkable talent. Tales of love, terror, betrayal and grief, which others would spin out for hundreds of pages, are given the occluded force of poetry.” - Independent“The love story is a delight, the social commentary sharp, the writing funny and fun―and yet the sorrow, even bitterness, at the core of this book about our perfidious species is inescapable and profound.” - Kirkus (starred review)“[A] slim surrealist masterpiece.” - LA Times“By marrying domestic realism with the literature of the bizarre, Ingalls brings tenderness to the monstrous and renders the recognizable utterly weird. Compact yet capacious, the novel wonders at all the ways we can desire and destroy one another. It’s unabashedly campy and deadly serious; it dares the reader to admit that these aims are not at all at odds.” - Literary Hub“A love affair with a 6-foot-7-inch amphibian might not be every woman’s fantasy, but for Dorothy―the lonely housewife at the center of this soon-to-be-reissued 1982 novel―it’s working out just fine. A short, funny, bizarre novel that’s worth your time.” - Los Angeles Magazine“Perhaps Ingalls’s finest accomplishment in the novel is the unflappable gentleness of her tone, which records supernatural surprise and flaming horror simply, almost tranquilly. The result is paradoxically quotidian and dreamlike, like a fable or folktale.” - Rob Latham, Los Angeles Review of Books

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About the Author

Rachel Ingalls is an American-born author who has lived in the UK since 1965. She is the author of the novels Mrs. Caliban and Binstead’s Safari as well as numerous novellas and short stories.RIVKA GALCHEN's 2008 first novel, Atmospheric Disturbances, and her 2014 story collection, American Innovations, were both New York Times Best Books of the Year. She has received many awards, as well as an MD from the Mount Sinai School of Medicine. Galchen lives in New York City.

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Product details

Paperback: 128 pages

Publisher: New Directions; Reprint edition (November 28, 2017)

Language: English

ISBN-10: 9780811226691

ISBN-13: 978-0811226691

ASIN: 0811226697

Product Dimensions:

5.2 x 0.4 x 8 inches

Shipping Weight: 5 ounces (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

53 customer reviews

Amazon Best Sellers Rank:

#29,341 in Books (See Top 100 in Books)

There was a great deal of buzz on Twitter about this novel's reissue, articles about its cult-status, NPR mentions, it was the thing all the cool literary kids were talking about, and so, that I'd never heard of nor read it pushed all my "I wanna be popular, too" buttons and I quickly ordered a used copy.Novella rather than novel, this allegorical romantic-tragic-comic --- okay, this un-categorizable romp is a feminist --- no, a humanist --- no, a satirical --- no, a fable of --- no, a lyrical --- no, a political --- you see the problem?Ignored when released in 1982, its naming in 1986 by the British Book Marketing Council as one of the twenty greatest American novels since World War II still failed to earn Mrs. Caliban a permanent place on the list of must read classics but, luckily, it has been sustained by its inclusion in many a literary fiction MFA curriculum.Having lost two children, trapped in a marriage of resigned, passionless suburban-ennui with an adulterous, deceiving husband, Dorothy Caliban, numbed and defeated into surrender by choices made and not, is making salad one day when "... a gigantic six-foot-seven-inch frog-like creature shouldered its way into the house and stood stock-still in front of her, crouching slightly, and staring straight at her face." She's met Larry.Larry has been held captive, experimented on and tortured by government researchers who he's killed in order to escape. Dorothy sympathizes, offers him sanctuary, and soon enough, they fall into one another --- physically, emotionally, spiritually --- as she hides him, unbeknownst to her oblivious husband --- in a room off her kitchen, where Larry learns about Dorothy's world from television and radio programmes. Thus is set into motion a series of events revealing fissures, cracks, and facades in the lives of Dorothy, her husband and friends, and the world in which she lives, a world she tells Larry is "all right" now that he is in it.Is Larry real? A fantasy onto which Mrs. Caliban projects her dissatisfaction with her limited, disappointing life? Is this a modern Beauty and the Beast? Or, is this feminist social-theory writ ironic? It is, I think, all those things and more, a concupiscent conflagration of marvelous writing, imaginative use of plot tropes, humor, pathos, and technique, all of which is entertaining. Imagine an episode of The Twilight Zone as written by Elizabeth McCracken and directed by Baz Luhrman; the implausible and outrageous made believable and beautiful.

In her mid-life, Dorothy’s life is far from the best. She’s experienced the unexpected death of her young son, lost a baby, has only one real, close friend, and has a husband who both ignores and cheats on her. Hers is a sad life. But her life changes considerably the day Larry walks through her backdoor—Larry who the radio news announcer describes as a “creature” escaped from “the Jefferson Institute for Oceanographic Research” after horribly mutilating its keeper and the scientist studying the “Monsterman” after capturing it on a “South American expedition.” Larry—with eyes “seemingly much larger than the eyes of a human being, and extremely deep” standing six-foot-seven-inches tall with a head “quite like the head of a frog, but rounder,” webbed hands and feet, and a body “exactly like a man—a well-built large man—except he was a dark spotted green brown in colour and had no hair anywhere.” Larry—who is taught to speak at the Institute and declares his keepers “had mistreated him” and forced him to “participate in various forms of sexual abuse, some of which [Dorothy] hadn’t known of before.” Larry—who Dorothy hides away in a back room of the house where her husband never goes—and becomes Dorothy’s lover. Larry—who makes Dorothy happy again.Mrs. Caliban (1983; with an Introduction by Rivka Galchen in the New Directions reissue of 2017) by Rachel Ingalls is a most incredible book. The blurb on the cover from The New Yorker refers to it as “A perfect novel.” Never a huge success (none of her work has been due to its eclectic nature and, perhaps because she is a woman states David Canfield in Entertainment Weekly), Ingalls’ Mrs. Caliban is getting new attention most likely due to the tremendous film success of another amphibian-man/human female love story, Guillermo del Toro's The Shape of Water (2017). Ingall’s novella, however, has been praised by authors such as John Updike, Joyce Carol Oates, and Daniel Handler (Entertainment Weekly) since its release.As surreal as Dorothy’s acceptance of the sea-monster Larry appears to be and the sexual affair they have (which is never explicitly detailed), the novella also has in it moments of sudden (off-stage) murder, infidelity, duplicity, and violence. Inhuman weaknesses are countlessly on display. But don’t for a moment believe that Mrs. Caliban is a horror novel. Ingalls tells her story in such an off-hand, even jovial narrative voice that the distressing moments contained within the work seem as every-day as shopping for avocados. Readers will not find themselves horrified or even shocked, but truly enchanted as they step into Dorothy’s world long before Larry appears (and he doesn’t appear until nearly twenty pages into the work).As Larry gets more restless and is filled with questions about humans from watching TV and venturing out among them in disguise, as Dorothy learns more about her best friend’s personal life, as Dorothy’s husband continues his secretiveness, as more victims allegedly fall “to the bloodlust of this creature,” and Dorothy and Larry take their relationship to increasingly new heights, readers turn the pages of Mrs. Caliban in awe, wondering how things are going to turn out, with any “willing suspension of disbelief” left far behind.There is one point of ambiguity in Mrs. Caliban that is never fully addressed. At the beginning of the story Dorothy hears secret, short messages emitting from her very old radio that “looked like a 1930s Gothic cathedral… that couldn’t possibly be real.” Only she can hear them. Are they products of her vivid imagination? And could Larry, after the newscast of the “monsterman’s escape” who is never seen by anyone but Dorothy (although he comes home wounded from an attack by strangers with dire consequences), also be imaginary? Such is the magic of Ingalls’ writing that the reader will never know, and it really doesn’t matter.The climax of the novella is surprisingly intense and the conclusion heart-grabbing. Mrs. Caliban is, indeed, a “perfect novel” without a single, wasted word and readers are bound to be left wondering what other treasures by Rachel Ingalls await re-discovery.

I don't understand the good reviews and certainly not calling this a "perfect" novel. It surely had an interesting and compelling premise, but most of what happens outside of this central idea is mundane, boring and predictable. Perhaps it needs to be to help us accept the fantastical relationship at its core, but I still found it brain-numbing. On the other hand, there is not enough detail given to the development of the pivotal romance for us to believe in it or care very deeply. This is rather an ambiguous, ambivalent review ... but I guess that sums up how I feel about this novella.

I recently saw The Shape of Water and, feeling underwhelmed by the execution of its brilliant premise, figured I'd read this book that presents a very similar story.Larry is a talking sea monster who loves avocados. (Who can blame him, honestly?) After escaping from a duo of sadistic scientists who captured him, he shows up at the door of a lonely housewife named Dorothy and reinvigorates her mundane life.This being a slim novella, there's very little room for setup or explanation. In fact, the casual and matter-of-fact way that the relationship between Larry and Dorothy plays out is part of its charm. She accepts him into her life immediately, allowing him to fill the void left by her unhappy marriage and the recent death of her child.Is Larry real, or is he merely Dorothy's fantasy—the antithesis of her husband and her boring existence? This quirky and charming little novel is also a biting work of social satire and feminist fiction, existing in the gap between reality and fantasy, grief and joy, acquiescence and agency.

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